My Top 10 Most Influential Albums

My Top 10 Most Influential Albums

Music has been important to me for as long as I can remember. A song always has some kind of effect on me, even if it’s to speak ill of it. My taste in music tends to be eclectic, which makes sense given my personality, though I do tend towards the rock genres. (I’m also another cliché white boy who loves some EDM from time to time.) Although songs are of great importance, sometimes their importance is magnified given an album they might appear on. But sometimes an album is greater than the sum of its songs for other reasons. What with the way modern music is distributed, the album has basically died, which is unfortunate because there are so many great ones. What follows is a list of albums that have been important to me in my development and existence as a human being. It’s a highly personal list, but one I never get tired of ruminating on.

10-AC/DC “Back in Black” – Simply a classic album that showed the world how danceable hard rock could be (for strippers). There are ten songs on the album and every single one hits the mark. This was the album that first featured new singer Brian Johnson after former singer Bon Scott had tragically died. AC/DC the band was certainly not dead and would continue to be a powerhouse band for many years to come. This album was also instrumental in developing my taste for rock music.

9-Y&T “Down for the Count” – Until I heard Y&T I’d been listening to metal out of Britain and east coast hard rock bands (on heavy MTV rotation) like Twisted Sister. But Y&T had a distinctly west coast vibe, encapsulated by their one MTV hit Summertime Girls, a song that may have put them on the map but didn’t really capture the entirety of what they were about. Dave Meniketti, the singer-guitarist and writer whom the band was centered upon had both an underappreciated rock voice and guitar skills. In my own song-writing, Y&T is whose sound I try to emulate if I’m not trying to mimic Judas Priest. While this album will never wind up on anyone’s Top 500 list besides mine, it introduced me to a sound I’d appreciate forever.

8-Lisa Loeb and Nine Stories “Tails” – There’s nothing complicated about Tails. Loeb’s debut album is simple, straightforward acoustic alt-pop (and sometimes rock). I like that Loeb’s music is uncomplicated and frankly, her voice just does it for me. I’ve been a big fan ever since and I’ve seen her play live more times than anyone else except for Joan Jett. If there’s anyone I try to imitate acoustically, it’s Lisa Loeb.

7-Twisted Sister “Stay Hungry” – Stay Hungry is an album that came along at exactly the right time in history for both the world and myself as I developed y rebellious streak. It demonstrated that rock could be simultaneously aggressive and fun, a perfect metaphor for the 80’s. But the album was also smart and socially conscious and I respected that. Finally, Dee Snider’s voice is probably my second male singing voice after Rob Halford of Judas Priest.

6-‘Til Tuesday “Everything” – I’d never heard alt-pop before until my roommate in the army had bought this album and played it tirelessly for an entire month. I actually hated it at first but it grew on me like a barnacle. Since this was the MTV’s one-ht-wonder’s last album (you might remember their song Voice’s Carry), I would go on to become a huge fan of Aimee Mann who’s lyrics and musical phrasings I believe are so unique as to be quietly legendary.

5-Aimee Mann “Whatever” – While Mann’s last ‘Til Tuesday album (see #6) had to grow on me, I was hooked on this, her solo debut album right from the start. Every song is simply a master class in alt-pop songwriting and producing. And, god, her lyrics, so sublime – no one does a screwed-up relationship song better than Mann. Best of all, her songs would only get better from here.

4-Judas Priest “Screaming for Vengeance” – A classic hard rock album that captured the raw essence of the New Wave of British Heavy Metal that was as melodic as it was aggressive. It was the first album in some time that I immediately sensed a theme in and identified with. I absolutely loved the guitar work on this album and have always wanted to play like KK Downing and Glenn Tipton. (No such luck.) And, of course, Rob Halford’s voice is not to be trifled with. He’s a metal icon for a reason.

3-Metallica “Master of Puppets” I picked up this album because I heard some kids in high school talking about how incredible it was. I had no idea what genre they were but I had figured, why not try it? I was sitting down to do my math homework when I popped the cassette in and the opening bars of Battery kicked my ass so hard I was sore for a week. I’d never heard music that hard before and needless to say I can’t imagine what my life would have been like without it. Master of Puppets spoke to my dark side, a side every teenager is eager – and sometimes actually willing – to explore.

2-Green Day “American Idiot” I was already a Green Day fan because of Dookie so this was a no-brainer purchase. The album was released in 2004, a time by which I’d come to see the flaws in the concept of American exceptionalism. American Idiot summed up everything I was thinking about America at the time but also demonstrated a more complex and nuanced approach to music than Green Day had demonstrated before. This was the first album I ever learned to play (on guitar) in its entirety.

1-The Beatles “Sgt. Pepper” This was not my first Beatles album but my first exposure to a concept album and I thought that was really cool and something only the Beatles could pull off. (Sure, I know differently now.) This is also probably the first album I ever heard that I considered to be flawless. I can’t tell you how many times I stood on my parent’s coffee table when they weren’t home and pretended to play guitar to this album. Strangely, although I actually do play guitar now, I can’t play a single song off Sgt. Pepper.

 

All Rights Reserved (c) April 2020 John J Vinacci

Throwing Roses

Throwing Roses

I’ll meet you at the wedding

All dressed in black

By the seaside

For what our friends have,

Unlike our ride

Before the swell crashed

They’re guided by something

In the stars we never had.

 

This is their time;

We’ll never find a way, so,

 

Let’s throw our roses

Into the ocean

Into every drop of water

That surprised us,

Let’s throw all of our roses

Into the ocean

And one of us can

Swim for the horizon.

 

Do you hear their

Undying love be cast?

Stronger than the waves

That crush the sand,

Unlike their vows

Our undertow lasts

To pull us out unexpectedly

Far from the land.

 

This is their time;

We never could find the way…

 

We never could swim

Against the facts

But right now it’s still

Polite to raise a glass,

We’ll wait until the

Winds are holding fast

To throw our roses and

Toast the never-will-haves.

 

This is their time;

We’ll never find a way, so,

 

Let’s throw our roses

Into the ocean

Into every teardrop of water

That surprised us,

Let’s throw all of our roses

Into the ocean

I promise I’ll wave to you

From the horizon.

 

All Rights Reserved (c) Sept. 2019 John J Vinacci

Regret Me In The Morning

Regret Me In The Morning

[Author’s note: These are lyrics from my Irish drinking song of the same name.]

 

Last night at the local bar

Who knew hello would ever go so far?

Acting like we’re not broken

Talking because we’re hoping

Closing time’s the end of the start

 

To the womb of your living room

Where the beer and whiskey stopped all too soon

My thinking’s getting clearer

As you’re drawing nearer

Maybe I should walk out on you

 

Don’t pull me in, don’t kiss me so sincere

Don’t whisper sweet nothings, my darling

I sense how strong you think this bond is

But I think you’ll regret me in the morning

 

First light will be rising soon

And I know all too well that staying is cruel

You want to hold me closer

A new world to discover

But don’t you have too much to lose?

 

Don’t pull me in, don’t kiss me so sincere

Don’t whisper sweet nothings, my darling

I sense how strong you think this bond is

But I think you’ll regret me in the morning

 

Last night at the local bar

I regret hello ever went so far

But I’m known for being sullen

I lose it when bottles open

Sometimes Happy Hour is my demise.

 

 

All Rights Reserved © November 2016 John J Vinacci